River of Fundament

The world premier of Matthew Barney’s new project River of Fundament is on show from March 16 through August 17 at the Haus der Kunst in Munich.

The exhibition brings together for the first time, the entire ensemble of Matthew Barney‘s multi-part River of Fundament project, comprising the symphonic film of epic length (5 hours) ‘River of Fundament’, large-scale sculptures, drawings, photographs, story boards, and vitrines. In its entirety, the project is one of the artist’s most complex and ambitious works to date.

Matthew Barney has been developing the project in collaboration with the Berlin-based American composer Jonathan Bepler since 2007. The work is inspired by the American author Norman Mailer and his novel, ‘Ancient Evenings’, set in Ancient Egypt from 1290-110 b.C., which when it was published in 1983 was criticised for its excessive nature. Rivers of Fundament resents the culmination of seven years of intense meditation on death, rebirth, transformation and transcendence. Mailer’s novel depicts the spiritual path of the Egyptian Menenhetet I through three deaths and rebirths; Barney replaces reincarnation with recycling and the man’s soul with the automobile.

The exhibition continues the programme Barney has developed over the last seven years in which narrative sculpture is generated through a complex system of storytelling that intertwines personal, historical, and modern mythologies. The central question is if there is a coherent identity, a spiritual property retaining a person’s particular characteristics not just throughout life, but surviving physical death.

With the sculptures of this project, Barney has moved away from his signature materials – thermal plastic and petroleum jelly – towards metals, materials, which, on the one hand, are more typical of traditional sculpture and, on the other hand, of industrial processes: iron, bronze, lead, copper, brass, zinc, silver, as well as the continued employment of organic elements such as sulphur and salt.

River of Fundament is curated by Okwui Enwezor and organized by Haus der Kunst in collaboration with Museum of Old and New Art (MONA) in Tasmania, Australia. A modified version of the exhibition will travel to the Museum of Old and New Art in fall 2014.

  • Artists:
    Matthew Barney
  •  
  • Open:
    Sunday, 16 March 2014
  • Close:
    Sunday, 17 August 2014
  • Address:
    Haus der Kunst, Prinzregentenstraße 1, 80538 Munich, Germany
  • Mail:
     mail@hausderkunst.de
  • Phone:
    +49 89 21127 113
  • Web:
    Haus der Kunst
  • Opening hour:
    MonSun | 10am8pm; Thu | 10 am10pm
  • Admission:
    Combined ticket 12€; reduced 10€; Teenagers under 18 and pupils 2€ per exhibition; Children under 12 free
  • Transport:
    Bus number 100 (Museenlinie: Hauptbahnhof Nord–Ostbahnhof) exit at Königinstraße or Underground U 4/5 to lehel, change to Tram 18 towards Effnerplatz, exit at Nationalmuseum / Haus der Kunst or Underground U 4/5 or underground U 3/6 to Odeonsplatz, change to bus number 100 (Museenlinie) towards Ostbahnhof, exit at Königinstraße or S-bahn to Isartor, change to Tram 18 towards Effnerplatz, exit at Nationalmuseum / Haus der Kunst
  • Photo credits:
    Matthew Barney and Jonathan Bepler: River of Fundament (2014): 1. Production Still, Photo by Chris Winget © Matthew Barney; 2. Production Still, Photo by Hugo Glendinning © Matthew Barney; 3. Production Still, Photo by Hugo Glendinning © Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels
ITALO CREMONA. Tutto il resto è profonda notte
ITALO CREMONA. Tutto il resto è profonda notte
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Architettura instabile. Diller Scofidio + Renfro
Architettura instabile. Diller Scofidio + Renfro
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PAUL JENKINS
PAUL JENKINS
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Immagini del No. Il reenactment
Immagini del No. Il reenactment
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TINA BARNEY. Family Ties
TINA BARNEY. Family Ties
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ITALO CREMONA. Tutto il resto è profonda notte
Architettura instabile. Diller Scofidio + Renfro
PAUL JENKINS
Immagini del No. Il reenactment
TINA BARNEY. Family Ties

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